Genres: Alternative Pop/Rock, Indie Rock, Alternative/Indie Rock, Emo, Post-Hardcore Active: 80's Formed: March 1984 in Washington D.C.
God Awful, Sleeping For Sunrise, Juno, Cap'n Jazz, The Get Up Kids, Joan of Arc, Friction, The Promise Ring, Boys Life, Severin, High-Back Chairs, Lungfish, Beefeater, Gray Matter, The Capitol City Dusters
Read Yellow, Planes Mistaken for Stars, Ignition, Give Until Gone, Fall Out Boy, The Get Up Kids, Broadcast Sea, Endicott, North Lincoln, The Lovekill, Avail, The Devil Wears Prada, Thursday, Dashboard Confessional, Constantines, Brand New, A Static Lullaby, The Shivering, Matchbook Romance
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Because the term emo has come to define a sensibility more than a particular sound, it can be difficult to pin down even if you're not an outsider. Yet there's a general consensus -- by no means universal, but fairly solid -- that Washington, D.C.'s Rites of Spring were the first true emo band. Their music epitomized emo (or emocore, as it was then more often referred to) in the original sense of the term: an emotionally charged brand of hardcore punk marked by introspective, personal lyrics and intense catharsis. While Rites of Spring strayed from hardcore's typically external concerns of the time -- namely, social and political dissent -- their musical attack was no less blistering, and in fact a good deal more challenging and nuanced than the average three-chord speed-blur. Although they didn't exist for long or record that much (two releases in just under two years), and didn't attract much attention outside of D.C. during that time, their influence was tremendous and far-reaching.
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Release:
Label: Dischord Records
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Release: July 2, 1993
Label: Dischord Records
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